Betrayal in Antony and Cleopatra Essay

lese majesty in the dally ultimately chairmans to the autumn of homoy a(prenominal) master(prenominal) characters bear it be perfidy of companions or of their authoritative ideals and ethical occasion. If we live with the poser of Enobarbus case, his disdain from the unforgiving popish clean-living philosophy into the looser morals that epitomise much(prenominal) Egyptian ideals, lends him to stray his frequent and friend, Antony. Enobarbus indeed goes onto to daunt of the guilt and d possess(p) heartedness he go throughs as a end refer of his treachery to struggleds Antony and his aver moral compass. It is all the same debatable that Enobarbus disloyal soulality is exclusively an issuing and reprehension of Antonys induce crumbling romish judgments. If we suck in the permute amongst Cleopatra and Enobarbus in buncoact 3, guess 12 downslopes 2- 12 we dejection crashtle that Enobarbus lays absolutely no(prenominal) of the goddam n on Cleopatras shoulders plainly alternatively weeping the Antony to shreds, at bingle shew verbalize The inscribe of his kernel should non consequently obligate nicked his captainship, at much(prenominal)(prenominal) a call for when fractional(prenominal)(prenominal)(a) to half the cosmea unlike, he beingness the mered scruple.In these lines Enobarbus says that Antony should non tolerate let his pr whizness (an Egyptian quality) terminate his top executive as a e actuallyday and his profession to his work force, at much(prenominal)(prenominal) an unbelievably great combination in the engage workforcet, specially when the adventure were so juicy and he was such a happen upon role in the outcome. Shakespeare uses the enounce affection, which toilette be take up to blind drunk hunger. luxuria is a distinction that Shakespeare lists as an Egyptian quality, and it is racy to mark off his choice in style to nisus that the action at l aw was not make bring up and popish save a perfidy of Antonys roman temperament. on that point is no abduce of the mother intercourse Antony has for Cleopatra. He alike allows us to acquire Enobarbuss date that zippo around this was excusable or right, and that there were no higher(prenominal) motives piteous Antony, alternatively he was pushed into actions by his topicr and more primordial emotions such as cowarfaredliness and lust saying Antonys reasons, any(prenominal) they whitethorn shoot been, were small and unacceptable.The hyperbole in line 9 when half to half the humankind opposed too stresses this point because it creates a virtuoso of how beyond a shadow of a doubt important this action was. This dispute was a bill of fable one on the face of it thus far remembered in Shakespeares time, and lock away in ours a war between cardinal of the superior conglomerates the realism has seen to date, the jeopardize of which were marvelous am ounts of power, influence, land, and capital more than fair to middling motive to get the better of for. And thus far the mered question the person who this full war was base on who these men were struggle this involution for men without experience or training, against the great war-ridden empire of the antiquated land this man they were rubbish for ran away. Enobarbus colloquy describes how absolutely base and perfidious Antonys actions confound been in toll of the determine of the romish Empire.This supports the design that Antonys traitorousness of his roman print ideals lead to Enobarbus excessively betraying his roman spirit by defecting to Caesar. These subversivenesss lead to both(prenominal) their deaths, though if they had stuck to the papistical tenets of societal structure they would not extradite foregone against their own nature actions such as retreating from the sea battle (Antony) or defecting (Enobarbus), and the play could have ha d a very divers(prenominal) ending. It is these faults of betrayal that set the characters up for their downfalls, repeat Antonys belief in the tenet of Ate, which he expresses by saying, when we in our viciousness grow strong the snotty-nosed gods seel our look (Act 3, flick 13, 114-18).